Materi Kursus Adobe Illustrator :
0 – Introduction
Welcome to Adobe Illustrator
1-1 Opening from the Windows desktop
1-2 Opening from the Macintosh Finder
1-3 Creating a new document
1-4 Advanced document controls
1-5 Modifying your document
1-6 Saving changes
1-7 Closing all open documents
2-1 Pages of any size, at any angle
2-2 Moving and modifying artboards
2-3 Changing the size and shape of artboards
2-4 Creating and copying artboards
2-5 Introducing the Artboard panel
2-6 Auto-arranging artboards
2-7 Artboards and rulers
3-1 Navigating your artwork
3-2 The dark vs. the light interface
3-3 Zooming a document and its artboards
3-4 Honing in a specific detail
3-5 Scrolling (or panning) a document
3-6 Using the Page Up and Page Down keys
3-7 Navigating numerically and from a panel
3-8 Working with multiple open documents
3-9 Panels and workspaces
3-10 Cycling through screen modes
4-1 Now, we draw
4-2 Meet the line tools
4-3 Creating custom guides
4-4 Drawing a heart with the Arc tool
4-5 Adjusting control handles
4-6 Reflecting and completing a shape
4-7 Drawing a target with the Polar Grid tool
4-8 Pasting one shape inside another
4-9 Drawing an arrow with the Line tool
4-10 Rotating, filling, and stacking
4-11 Using the Spiral tool
4-12 Tracing existing spirals
5-1 And now, we draw better
5-2 Meet the shape tools
5-3 Using the Ellipse tool
5-4 Creating compound paths
5-5 Drawing a multi-point star
5-6 Adding and aligning a center point
5-7 Drawing rounded rectangles
5-8 Aligning to a split location
5-9 Reflecting across an axis
5-10 Modifying the constraint axes
5-11 Turning a triangle into an arrowhead
5-12 Using the Flare tool
5-13 Using the top-secret tilde key trick
6-1 Auto-tracing in Illustrator
6-2 Opening an image to embed it
6-3 Placing an image to create a dynamic link
6-4 Auto-tracing and resolution
6-5 Adjusting layer previews
6-6 Cleaning up with the Threshold option
6-7 More clean-up with the Noise option
6-8 Expanding and simplifying traced paths
6-9 Flipping and fusing shapes
6-10 Scaling resolution-independent vectors
7-1 The realm of transformations
7-2 Creating a tracing template
7-3 Drawing a diamond with the Polygon tool
7-4 Dragging and duplicating
7-5 Using the Scale tool
7-6 Scaling along a constraint axis
7-7 Using the Rotate tool
7-8 Rotating and duplicating
7-9 Group, stack, and organize
8-1 The best tools for painting
8-2 Painting closed path outlines
8-3 Erasing and painting selected paths
8-4 Reassigning keyboard shortcuts
8-5 Painting in the Outline mode
8-6 Using the Shape Builder tool
8-7 Subtracting with the Shape Builder
8-8 Assigning colors with the Shape Builder
8-9 Reflecting across an angled axis
8-10 Cleaning up Shape Builder leftovers
8-11 Establishing hierarchy with groups
8-12 Working in the Group Isolation mode
8-13 Simulating beveled edges
8-14 Creating a network of interlocking paths
9-1 Text formatting at its best
9-2 Creating page margins
9-3 Placing and flowing text
9-4 Selecting words and lines of type
9-5 Working with point text
9-6 Previewing and assigning fonts
9-7 Incrementally adjusting type size
9-8 Leading and paragraph indent
9-9 Pair-kerning and tracking
9-10 Hanging indents and paragraph spacing
9-11 Creating and applying paragraph styles
9-13 Using the Glyphs panel
9-14 Spell-checking your text
10-1 The tool that can drawing anything
10-2 Drawing straight-sided paths
10-3 Editing a path as you draw it
10-4 Inserting and removing anchor points
10-5 Faking simple spline curves
10-6 Adding curvature with Round Corners
10-7 Introducing control handles
10-8 Drawing perfectly smooth outlines
10-9 Tracing a freeform, curving path
10-10 Three ways to make a cusp point
10-11 Converting an existing anchor point
10-12 Drawing inside or behind other paths
10-13 Copying and repurposing segments
10-14 Copying and transforming entire layers
11-1 Welcome to One-on-One
11-2 Creating and moving objects onto layers
11-3 Creating and using sublayers
11-4 Creating 3D type as a group
11-5 Selecting and working inside groups
11-6 Creating clipping groups
11-7 Working in an isolation mode
11-8 Applying effects to groups and layers
12 – Swatches and Stacking Order
12-1 How swatches and stacking work
12-2 Multiple views and power duplication
12-3 Lifting a color and creating a swatch
12-4 Creating and using global swatches
12-5 Deleting, adding, and managing swatches
12-6 Assigning and eyedropping colors
12-7 Assigning colors to paths inside groups
12-8 Adjusting the stacking order
12-9 Selecting down a stack of paths
12-10 Pasting in front and in back
12-11 Combining multiple fills
12-12 Trapping your art with rich blacks
13 – Strokes, Dashes, and Arrows
13-1 The rich world of strokes
13-2 Introducing the Stroke panel
13-3 Caps, joins, and miter limits
13-4 Dashes and arrowheads
13-5 Using the Width tool to vary the line weight
13-6 Adjusting the width of closed path outlines
13-7 Making a coupon border with scissors
13-8 Combining dashes with round caps
13-9 Making an official money-like type effect
13-10 Creating a wavy, engraving-line background
13-11 Masking a pattern inside a background
13-12 Creating tapering rules (with inset strokes)
14 – Gradients and the Gradient Tool
14-1. How gradients work
14-2 Assigning and modifying a gradient fill
14-3 Using the Gradient tool and annotator
14-4 Editing multiple gradients at a time
14-5 Establishing symmetrical gradients
14-6 Creating a radial gradient
14-7 Adjusting the midpoint skew
14-8 Mixing gradients with blend modes
14-9 Adding transparency to a gradient
14-10 Applying and editing dynamic effects
14-11 Assigning a gradient to editable text
14-12 Editing text that includes dynamic effects
14-13 The new gradient stroke options
15 – Seamlessly Repeating Patterns
15-1 The reinvention of tile patterns
15-2 Drawing a linear spiral with the Polar Grid tool
15-3 Assembling the raw ingredients for a pattern
15-4 Using the new Pattern Generator
15-5 The new tile types. Brick and Hex
15-6 The Size Tile to Art and Overlap options
15-7 Creating a new pattern based on an existing one
15-8 Applying patterns to strokes and text
15-9 Moving and transforming patterns
15-10 Fixing problem legacy patterns
16-1 How alignment and distribution work
16-2 Snapping one anchor point to another
16-3 Aligning a group to the artboard
16-4 Distributing objects across the artboard
16-5 Aligning to a fixed key object
16-6 Distributing by a specified amount of space
16-7 Using the Align options to move objects
16-8 Adding an extruded edge effect
16-9 Optically aligning objects
16-10 Adding a credible 3D cast shadow
17-1 Combining simple shapes to make complex ones
17-2 Understanding all ten Pathfinder options
17-3 Unite closed paths, join open ones
17-4 Creating a dynamic compound shape
17-5 Adding to a compound shape
17-6 Variable width, Outline Stroke, and Unite
17-7 Painting rough leaves with the Blob Brush
17-8 Creating credible leaves with dynamic effects
17-9 Contouring with the Blob Brush and Eraser
17-10 Filling in branches with the Blob Brush
17-11 Merging layers and uniting paths
17-12 Using Divide and Minus Back
17-13 Nesting one compound shape inside another
18 – Live Paint and Interlocking Paths
18-1 Filling and stroking overlapping areas
18-2 Introducing Live Paint
18-3 Stroking with the Live Paint Bucket
18-4 Using the Live Paint Selection tool
18-5 Adding paths to a Live Paint object
18-6 Building a classic, interwoven Celtic knot
18-7 Weaving one path outline into another
18-8 Creating a path that overlaps itself
18-9 Painting a path that overlaps itself
18-10 Combining gradients and depth with Live Paint
18-11 Swapping out Live Paint fills and strokes
18-12 Casting shadows inside a Live Paint object
19-1 Illustrator and the photographic image
19-2 Placing a photograph into your artwork
19-3 Dragging and dropping photos into Illustrator
19-4 Working with linked images
19-5 Scaling and cropping inside a bounding box
19-6 Cropping an image inside a clipping mask
19-7 Adding a border to an image, and colorizing
19-8 Creating a trendy gradient page curl
19-9 Placing a Photoshop image, with transparency
19-10 Linking vs. embedding images
19-11 Unembed and Package (Creative Cloud only)
20-1 Local and commercial printing
20-2 Convert all text to path outlines
20-3 Setting the trim size and bleed
20-4 Creating automatic and custom crop marks
20-5 Introducing and applying Pantone spot colors
20-6 Using the Separations Preview panel
20-7 Troubleshoot, overprint, and trapping
20-8 Printing. The General options
20-9 Placement, scale, and tiling
20-10 Adding trim and printer’s marks
20-11 PostScript and color separations
20-12 The esoteric advanced printing options
21 – Saving for the Web (and PowerPoint)
21-1 Making art for the Internet
21-2 Aligning your artwork to the pixel grid
21-3 Optimizing editable text for the web
21-4 Increasing the resolution of your web art
21-5 Saving a continuous-tone JPEG image
21-6 Optimizing your art to a specific file size
21-7 Saving high-contrast, low-color art to GIF
21-8 The more flexible PNG format
21-9 Saving PNG-24 for the web or PowerPoint
22-1 Welcome to One-on-One
22-2 Introducing my custom keyboard shortcuts
22-3 Installing my dekeKeys shortcuts on Windows
22-4 Installing my dekeKeys shortcuts on the Mac
22-5 Remapping your Macintosh OS shortcuts
22-6 Adjusting a few key Preferences settings
22-7 Understanding the color-managed workflow
22-8 Establishing the optimal Color Settings
23-1 Illustrator’s oldest dynamic functions
23-2 Creating a multicolor blend
23-3 Establishing a clipping mask
23-4 Reinstating the colors of a clipping path
23-5 Editing individual blended paths
23-6 Adjusting the number of steps in a blend
23-7 Fixing problems with the Blend tool
23-8 Blending different levels of opacity
23-9 Editing the spine of a blend
23-10 Adding a custom spine to any blend
23-11Advanced blending and masking techniques
23-12 Blending between entire groups
23-13 Adjusting the speed of a blend
23-14 Rotating objects in 3D space (Photoshop Extended only)
24-1 Illustrator’s logo-making features
24-2 Customizing a single character of type
24-3 Combining a letterform with a path outline
24-4 Creating logo type along an open path
24-5 Creating logo type around a closed circle
24-6 Vertical alignment, orientation, and spacing
24-7 Warping logo type around a circle
24-8 Creating a classic neon type effect
24-9 Adding random neon brightness fluctuations
24-10 Creating neon block outs between letters
24-11 Adding neon blur and bokeh in Photoshop
25-1 Generating colors using harmony rules
25-2 Introducing the Color Guide panel
25-3 The 23 color harmony rules, diagrammed
25-4 Mixing and matching color harmonies
25-5 Color groups and custom harmony rules
25-6 Working in the Edit Colors dialog box
25-7 Expanding on an existing harmony rule
25-8 Constraining colors to a predefined library
26-1 Changing lots of colors all at once
26-2 Introducing the Recolor Artwork command
26-3 Recoloring with the help of swatch groups
26-4 Changing the color-assignment order
26-5 Reducing the number of colors in your art
26-6 Applying tints and shades of a single swatch
26-7 Recoloring artwork that contains gradients
27 – Calligraphic, Scatter, and Art Brushes
27-1 Painting with path outlines
27-2 Introducing the Brushes panel
27-3 Applying and editing a calligraphic brush
27-4 Applying and scaling an art brush
27-5 Applying and editing a scatter brush
27-6 Formatting and scaling brushed text
27-7 Designing a custom art brush
27-8 Creating (or replacing) an art brush
27-9 Refining a brush to fit ends and corners
27-10 Expanding, filling, and stroking a brush
27-11 Type on a path vs. text as an art brush
27-12 Distorting text with the Width tool
27-13 Infusing your artwork with a tile pattern
28 – Transparency and Blend Modes
28-1 The many forms of transparency
28-2 Creating translucency with the Opacity value
28-3 Darken, Multiply, and Color Burn
28-4 Lighten, Screen, and Color Dodge
28-5 Overlay, Soft Light, Hard Light, Difference, and Exclusion
28-6 Hue, Saturation, Color, and Luminosity
28-7 Combining the effects of multiple blend modes
28-8 Isolating blending and Knockout Group
28-9 Combining blend modes with dynamic effects
28-10 Exporting transparency from Illustrator
29-1 The Layers panel for dynamic attributes
29-2 Applying attributes in the Appearance panel
29-3 Creating depth using translucent strokes
29-4 Adding, layering, and offsetting strokes
29-5 Duplicating entire groups of attributes
29-6 Turning stacked strokes into editable paths
29-7 Simplifying a multi-stroke effect
29-8 Applying the Convert to Shape effect
29-9 Adding aligned patterns and shadows
29-10 Drawing with arrowheads and angled strokes
29-11 Employing overlapping gradient strokes
29-12 Drawing circular stroke elements
29-13 Outlining an entire multi-stroke effect
29-14 Creating seamless wood grain in Photoshop
30-1 The best features in Illustrator
30-2 Repeating a series of transformations
30-3 Adjusting and updating a dynamic effect
30-4 Applying a stroke to an entire layer
30-5 Improving the performance of drop shadows
30-6 Applying a single effect multiple times
30-7 Creating an intricate Spirograph pattern
30-8 Adding scalloped edges with Pucker & Bloat
30-9 Applying a dynamic Pathfinder to a layer
30-10 Creating beveled ornaments
30-11 Creating a sculptural type effect
30-12 Subtracting editable text from a path
30-13 Editing text inside a dynamic effect
31-1 Never remember anything again, ever
31-2 The pixel-based Effect Gallery
31-3 Copying effects from one layer to another
31-4 Introducing the Graphic Styles panel
31-5 Correcting previews in the Effect Gallery
31-6 Adjusting the resolution of your effects
31-7 Combining and saving graphic styles
32 – Combining the Powers of Illustrator and Photoshop
32-1 Two powerful graphics programs combine forces
32-2 Creating a perfectly centered star shape
32-3 Precisely scaling concentric circles
32-4 Adding reflective highlights with the Flare tool
32-5 Two ways to rasterize vector art for Photoshop
32-6 Importing vector art as a Smart Object
32-7 Creating a lens flare effect in Photoshop
32-8 Photographic texture and brushed highlights
32-9 Modifying a vector Smart Object in Illustrator
32-10 Converting Illustrator paths to shape layers
32-11 Assign layer effects to native shape layers
32-12 Completing a work of photorealistic art
33-1 Welcome to One-on-One
33-2 Setting up angular construction guides
33-3 Shaving off miter joins and projecting caps
33-4 Precisely aligning angled logo artwork
33-5 Covering up gaps and seams in your logo
33-6 Creating ornaments based on miter joins
33-7 Hand-drawing letters as stroked paths
33-8 Kerning and clipping hand-drawn type
34-1 The benefits of using symbols
34-2 How symbols and instances work
34-3 Creating and naming symbols
34-4 Introducing 9-slice scaling
34-5 Customizing the effects of 9-slice scaling
34-6 Acquiring, trading, and previewing symbols
34-7 Duplicating and replacing symbol instances
34-8 Using symbols to simulate master pages
34-9 Advanced symbol modifications
35-1 Shading objects with Gradient Mesh
35-2 Creating a gradient mesh
35-3 Adding and deleting lines with the Mesh tool
35-4 Assigning colors to mesh points
35-5 Finessing colors to add depth and shading
35-6 Creating a gradient with the Mesh tool
35-7 Wrapping gradients around circles
35-8 Working with slender, bending shapes
35-9 Creating soft and sharp transitions
35-10 Converting a linear gradient to a mesh
35-11 Converting a radial gradient to a mesh
35-12 Using gradients to cast shadows
36-1 Black conceals, white reveals
36-2 Introducing opacity masks
36-3 Assigning an empty opacity mask to a layer
36-4 Drawing inside an opacity mask
36-5 Fading artwork with a gradient opacity mask
36-6 Nesting one opacity mask inside another
37-1 Two ways to apply free-form distortions
37-2 Introducing the Warp tool
37-3 Brush size, Detail, and Simplify
37-4 Liquifying an isolated portion of a path
37-5 The Twirl, Pucker, and Bloat tools
37-6 The Scallop, Crystallize, and Wrinkle tools
37-7 Simplifying a path; creating a custom starburst
37-8 Applying an envelope-style distortion
37-9 Editing the contents of an envelope
37-10 Masking the contents of an entire layer
38-1 Up to five tiles per pattern brush
38-2 Creating a basic pattern brush
38-3 Correcting and adjusting a pattern brush
38-4 Designing a matching corner tile
38-5 Adding an angled loop to a corner design
38-6 Creating end tiles and tile perimeters
38-7 Cropping your designs inside your tiles
38-8 Assembling a seamless pattern brush
38-9 Adding a white buffer zone to a pattern brush
38-10 Reconciling very acute corners in a path
39-1 The pleasures and pitfalls of graphs
39-2 Importing and graphing numerical data
39-3 Modifying data to create a category axis
39-4 Reformatting text and values in a graph
39-5 Changing the Graph Type settings
39-6 Creating and applying a graph design
39-7 Repairing a broken pictograph
39-8 Recreating a graph at the proper size
40-1 The five advantages to 3D in Illustrator
40-2 Introducing the three kinds of 3D in Illustrator
40-3 Working in 3D space – Pitch, yaw, and roll
40-4 Lighting and shading a 3D object
40-5 Beveling the edges of a 3D extrusion
40-6 Creating live, editable 3D type
40-7 Adding cast shadows to 3D type
40-8 Assigning and editing a 3D Revolve effect
40-9 Mapping artwork onto a 3D object
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